It’s peppered with standouts, including “Apocalypse Dreams”, a dreamy number that somehow releases the spirit of early Pink Floyd. Really, across Parker’s catalogue, there are no duds. When Mark Ronson awarded the Songwriter of the Year trophy to Parker at the 2021 APRA Awards, he paid tribute to the Australian’s hit-to-miss ratio. Whether it’s the rolling beats on the first number, the chunky rhythm-section groove on “Elephant”, or the unusual fade-in that greets “Keep on Lying”. Parker plays all the instruments, proficiently. Though his sound would veer into psychedelic pop, Lonerism is psychedelic rock, perhaps his last of that type. Later, Parker would become a Brit Award winner and one of the world’s most highly-regarded producers. The Western Australian makes a mockery of the dreaded “difficult second album”, while locating the well where all the best songs are kept.įrom the opening beats and breaths of “Be Above It”, the listener is alerted to some trippy stuff to come. Lonerism, released in 2012, was Parker’s bridge to global recognition. Kevin Parker’s Tame Impala was already fully-formed when it came time to release the follow-up to genre-defining debut album InnerSpeaker. As a one-woman inferno, Tina Arena has undoubtedly continued her run of stellar releases over the last two decades, but Don’t Ask remains her magnum opus. Don’t Ask ascends above many other lionised break-up albums for many reasons, least of which is its ability to portray the resolve of a woman who did everything in her power to make the relationship work.
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The pint-sized Australian-Italian may have already been a household name before the age of nine (thanks to variety TV show Young Talent Time ), but it was arguably this confessional album that recruited the masses. It sold two million copies worldwide, became one of Australia’s highest-selling albums, and is certified 10x Platinum. The album turned its back on formulaic standards that turned piano ballads and smoky soul into commercial radio mainstays. The soaring colour of “That’s the Way a Woman Feels”, the slow-burn yearning of “Wasn’t It Good”, and the full-throated power of hit single “Chains”, seemed to arrive right on time for women the world over. But it was Arena’s gift for soundtracking feminine emotion that cut through as a timeless masterpiece. When Tina Arena released her third album in the summer of ’94, Cold Chisel were launching their Teenage Love compilation and grunge-rock was undergoing a well-deserved purple patch.
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